There’s something great about seeing a master at work, who is comfortable and confident enough with his style to pare the work down to the bare essentials. Very few creators get there (or have the opportunity to get there), so I’m glad readers get a chance to witness Steve Ditko at this stage. It reminds me of John Ford in his late period, how he could make a film like THE MAN WHO SHOT LIBERTY VALANCE where every shot, every gesture, every word is essential. I feel that is where Steve Ditko is at. Every pencil stroke, every word, every image is essential.
Thursday, July 11, 2013
It's been a while between posts, but life has been interfering. To tide you over, here's something I wrote about Steve Ditko's latest work from Robin Snyder's publishing imprint. They are Kickstarting a reprint of another one of Ditko's later works right here. My thoughts, inspired by reading his self-published SEVENTEEN: