But it neither teased out any societal analysis as the best zombie media does (Romero films, Walking Dead, World War Z) or went for all out tastelessness that the most enjoyable gut munchers do (almost any Italian zombie film not made by Fulci, Dead Alive). The only thing approaching subtext was the title: this was a book for Marvel obsessive or zombie obsessives. Unfortunately, I count myself as a zombie obsessive (I've watched Hell of the Living Dead, people. That is not something a sane person undertakes lightly) and I found it as unsatisfying as the morsels of human flesh that fall out of the zombies' own rotten gullets.
Pondering a couple post topics soon: A Defense of Lucio Fulci, a write-up of Act of Violence (with Robert Ryan and Van Heflin) and Mystery Street (with Ricardo Montalban and Charles Laughton's beard), or maybe something about Who Can Kill A Child? (if Netflix comes through).
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